The summer film slate in 2017 could be the less testosterone rotten in the
history of cinema. Between the wrong woman-empowerment Wonder Woman and
Atomic Blonde, multiculturalism applied the fate of the Furious and
Guardians of the Galaxy 2 and the syrupy juvenilia tertiary cars and
payments Despicable Me, there is little to show for local caterer Multiplex
to nothing refined, adult sensibilities of male viewers. Indeed, apart from
Dunkirk, I can not think of a single movie that comes out during the
Memorial Day to Labor Day box office bonanza that is supplied to the
traditional, male, movie-going masses.
With these meager options closest neighborhood cineplex, now is a most
opportune time to review some of the larger, XY chromosome centered on
classic old celluloid. Instead of exposing your children to an effete,
effeminate Spider-Man, the simulacra of Tom Cruise attempts to display
drivel heteronormativity or focused on identity politics as Detroit and The
Dark Tower, why not treat & # 8212; and you & # 8212; these man movie
masterpieces instead?
Thunder Road (1958)
You will never see a film like Thunder Road again. Robert Mitchum cult
classic is one of the largest pro-masculinity films ever, representing a
robust battle moonshiner for individualists his right to life, liberty and
the pursuit of happiness against the corrupt and crooked federal agents.
Devoid of nudity, vulgarity, graphic violence and the progressive political
nose, Thunder Road simply tells the story of a conflicted man standing next
to his conscience and his moral without requiring the public agrees with
its own virtues lockstep . It is one of the best action movies and
character dramas of the 20th century and an absolute masterpiece of cinema
liberalism libertarian / classical; you owe it to yourself to see at least
once.
The Man Who Shot Liberty Valance (1962)
Featuring three of manliest actors of all time & # 8212; John Wayne, Jimmy
Stewart and Lee Marvin & # 8212; The Man Who Shot Liberty Valance is widely
considered one of the best westerns ever made, and for good reason.
Wayne / Stewart dichotomy presents an interesting portrait of manhood,
demonstrating the need for rugged persona and individualistic, the most
cultivated intellectual mentality. Few films are there such a wonderful job
depicting what makes a constructive aggressive male leader and what
separates the aggressive male leaders destructively; if you want to show
your kids what real men look like, this is one you should add to your
library A.S.A.P.
The Dirty Dozen (1967)
Forget The Avengers, Justice League forget and definitely forget Star Wars
& # 8211; No film has ever had a more together than this masterpiece of
World War II cast. Featuring a virile actor literal Hall of Fame list & #
8212; Lee Marvin, Ernest Borgnine, Charles Bronson, Jim Brown, George
Kennedy and Kojak himself, Telly Savalas, to just half of the team & #
8212; this exquisite classic action might just have more testosterone per
capita than any Expendables movies combined.
While the conclusion of castle siege sequence is probably one of the
greatest finishes in the history of cinema, which makes The Dirty Dozen
stand out is his character development; if you are looking for an exciting
action movie with a smart script and acting high-end, you will not find
many rivaling that remarkable late 60 offer.
Emperor of the North Pole (1973)
Here is another great testosterone pleasure excited by Robert Aldrich.
Taking place during the Great Depression, the Emperor of the North Pole
(sometimes called North emperor just in a few prints) focuses on seasoned
Lee Marvin hobo showing neophyte Keith Carradine wanders the ins and outs
of (illegally) walks in the process 'coupling.
Things take a turn for the worse when they decide to board a locomotive
designed by psychotic Ernest Borgnine, who takes great pride in maintaining
operation without stowaway & # 8211; even if it means killing a few bums
every now and then. The final knockdown, drag-out brawl between Marvin and
Borgnine could be the biggest fight in the history of the film & # 8211;
Lord knows, it is certainly the most manly.
Bring Me the Head of Alfredo Garcia (1974)
You really can not talk about manly movies without mentioning the manliest
director of all time, Sam Peckinpah, and this could well be their best (and
most uncompromised) overall work. Featuring the very underrated Warren
Oates, Bring me the head of Alfredo Garcia is focusing on a US military
takes the offer of a drug kingpin to decapitate the Mexican Lothario who
deflowered his daughter.
Sure, things are bad (no spoilers, but let's just say a rape scene
involving the music of country singer Kris Kristofferson plays a point of
conspiracy) and when our protagonist finally gets a holder taking noggin,
it is ready to embark on the ultimate road trip fantastic revenge. There
are a lot of great "vengeance is mine" movies out there, but for me, none
of them have exceeded this wild, woolly action and unabashedly nihilistic
romp & # 8211; it is triple undoubtedly a tariff for the display when you
have a particularly bad week at the office.
Hard Times (1975)
Charles Bronson could rightly be regarded as the most virile actor of all
time, and this film rather obscure boxing in the mid 70's all the proof you
need. The iconic star of Death Wish plays a wandering period of depression
that is good at one thing and one thing only: boxing with bare hands other
bums. Enter the sleazy boxing promoter James Coburn, who quickly turns old
Chuck in a barn-storming, pummeling ass feeling that makes a beating mint
mobsters throughout New Orleans.
This film is a firm reminder of how great Hollywood action movies used as
before the plague of cultural Marxism infected the box office; with
exquisite game and some of the best scenes of Pugilist in the history of
cinema, Hard Times is a delicious ass-kicker, centered on characters with
both brains and brawn.
Smokey and the Bandit (1977)
Burt Reynolds was the last of the great, non-metrosexual movie stars who
could actually act (sorry, Stallone and Arnold.) The role of the signature
The big mustache is in one of the best action comedies ever filmed,
exuberant yet reverent ode to the American trucker and a celebration of all
right of blood-red man to drink beer and drive as fast as you damn well
please.
There is also a libertarian aggressively film rooted in a horror stupid
federal regulations and even the stupid local authorities. Moreover, it is
the only time that Sally Fields has never looked hot in a movie, so it's
probably worth looking for that one facet.
Sorcerer (1977)
More than almost anyone, George Lucas is responsible for the emasculation
of American films. The runaway success of Star Wars assured Hollywood
abandon the harsh and difficult star vehicles, based on the reality of the
1970s & # 8212; The Sting, Taxi Driver, The French Connection, etc. & #
8212 ;. Inaugurating an era of family- friendly fancy son and merchandising
tie-ins, disguised as movies like AND and Back to the Future. William
Friedkin Sorcerer & # 8211; which, as fate would have it, was released
alongside the first Star Wars film & # 8211; shows us what video editing
public was like before infantilism and demasculinization mass industry.
A tense thriller, sophisticated nuanced, starring Roy Scheider as a man in
charge of carrying a super explosive delivery across the rocky terrain of
South America, Wizard is a simple but very addictive, focusing on classic
characters & # 8211 ; and further proof that Hollywood was much, much more
fun when they stuck to crafts entertaining movies instead of finding ways
to indoctrinate the public with their progressive (regressive?) ideological
beliefs.
Blue Collar (1978)
Forget Grease and Saturday Night Fever, the film is what the 1970s were
truly embodied. Richard Pryor turns in an amazing dramatic Academy
Award-worthy performance as auto worker caught in a union conspiracy, with
the best buddies Harvey Keitel and Yaphet Kotto did a fantastic job playing
his partners in crime.
In addition, there is a great indictment of the time, showing how unions
greed, corruption and federal regulatory degenerate vices of American
workers all came to a head to cause spiritual death of once proud industry
American automobile.
Hardcore (1979)
Rounding out the top ten is another film helmed by director Paul Schrader
Blue Collar. Nearly 40 years, the film feels strangely prescient now, a
dark portrait of the final results of the second wave feminism, free love
and the culture of the post-baby boomers drug.
George C. Scott turns in perhaps the greatest performance of his career in
Hollywood elite Michigan playing a father who afflict the slums his way
through the filthy porn industry in California to save her daughter from
the clutches a sex trafficker.
The last 20 minutes of the film are among the most depressing ever filmed,
showing exactly what happens when the father figures are updated
as "patriarchal oppressors" and traditional family values are discarded
so that we called "sexual liberation" idealism.
More: Have you ever seen one of the greatest films ever made Red Pill
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