Over the past two weeks random crimes were woven into a media account
already set up and a new social media campaign was born: #Men are Trash. He
is now ashamed to be a man. We crazy sex maniacs alike, and we should feel
bad. This are the latest enslaving schools singing feminist siren of South
Africans.
#MenAreTrash gained enormous traction in local social media in recent
weeks, at one point he was even number one on twitter South African trend.
# What is this? "Men are Trash" for some, it's easy to read this sentence
and label an "attack against all". But then we must ask, what is a personal
attack and what is a necessary wake-up call.
According to the idea motivating this movement, the man is the
manifestation of wickedness and violence. But if we all indicates that this
tag, why feminist identity and behavior involve blatant attempts to enter
the male identity sphere? If their cause is so anti-men, why can express
their ideas by masculine traits borrowed? Are they trying to become men,
they are so opposed?
Answer: They try to look powerful. They try to show wisdom. They try to
appear strong and aggressive. They do what they because power, or design of
it, is being apprehended in the men's iconography. To understand their
conception of power, I looked at some old figures that have become iconic
vehicles of feminist cultural expression.
They have a male chauvinist conceptual Ideal
The revival of She who devotes a phallus.
Their shorts rhetoric ladylike mother of Jesus for his pagan predecessor,
the mother of Horus, Isis. Today this ancient goddess is synonymous with
feminist brand of ideology. As a girl power icon, it is superficial, but
inspiring Isis has more influence on their identity they would recognize
openly.
It is generally accepted that, contrary to other cultures of the ancient
Near East, Egyptian women have occupied a social role of equality with men.
It is therefore strange that the power of this goddess mother could not
imagine the role of a man in a male chauvinist myth.
Its history is as follows: her husband is emasculated by castration. His
intensely obsessive attachment to his manhood forced him to commit acts of
necrophilia and fetishism. That is to say, it creates and animates
magically a replica of his phallus she performed up to design. Diodore de
Sicile (80-20 BC) wrote: "the constitution of an image of it, she put it in
the temples, ordered it to be honored, and the subject of the highest
consideration and respect in the mystical rites and sacrifices to the gods
granted ".
After completing the sexual act on his own, the power of Isis is expressed
by his playing the dominant role of a man in the sacred union. This, she
says proudly in the Glorification of Osiris: "I played the role of a man I
am a woman. "
Isis as a kite in union with the dead Osiris.
They have a great history Masculine
Nefertiti in her influential role as wife and mother.
The queens of the 18th Dynasty & # 8212; Tiye, Nefertiti and Hatshepsut & #
8212; are most often read in feminist rhetoric, especially when the African
heritage must be validated and taken advantage of. These three women
prevailed during the age of the Egyptian empire. The state was rich,
cosmopolitan and characterized by the abandonment of old habits.
Tiye and Nefertiti were women of influence and the latest theories claim
that they were co-regents. Hatshepsut reported, spending most of its
resources to extract the reign of the soft target that was Nubia. All three
derive their power and influence of their role as mothers and wives of
kings. But at various points, they decided to supplement their public image
by appearing in a male form and roles. This was done to legitimize their
leadership abilities.
So even though these feminist history was among the richest and most
powerful in the most prosperous period in their country, they still found
their restrictive female form, most likely because the physical appearance
of a former ruler should answer public expectations of safety and security.
The enemy or hitting chaos of agents is most familiar Egyptian iconographic
motif. It is a traditionally male military activity, which makes the title
of pharaoh traditionally male title.
The Bearded form of Hatshepsut trying to allay national security concerns.
The powerful queen is not only hitting an idea of limited scope, it is
also entirely based on deception. These three had no significant military
successes. They were essentially imitations of fundamental basic of
Egyptian culture. In the case of Tiye and Nefertiti, one might expect the
mother and wife of the great religious and artistic revolutionary,
Akhenaten, at least be more creative with a lie that this strong dependence
on a male tradition established.
By using masculine representations and war motives for the sake of social
equality that existed, the three will reduce the inherent power they had as
wives and mothers.
Conclusion
Men can be the role of the villain violent feminist story, but why power
seems inherent in the masculine imagery is that important cultural
achievements exist to validate these symbols.
The image of a leader who took a small population to high culture in a
short period of time.
negative campaigns as men are trash, and practice of Hollywood coincident
output Wonder Woman this summer are merely dramatic overcompensation for a
flagrant lack of significant achievement, a fact that feminists are
painfully aware. This is not a value judgment, it is just women's history,
where the best is still to come.
The image of usurping Bombaata position in Conan the Destroyer.
In their effort to recreate the female form as a male phenotype, there is
the sincere gratitude that power can only exist within the broad shoulders
and bellicose imagery. They will inconsiderately in the direction of the
patriarchal system while trying to jump into the role of their wicked.
A superfluous accessory power but wonder woman phallic symbol is necessary
for her to usurp the Man of Steel position in the DC pantheon.
As before, the return of the balance of its current extreme. Meanwhile,
display confidence that only your original form can own in a world that is
now full of poor imitations.
More: 5 enormous problems that 50 years of feminism created
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