Nominated for three Academy Awards and won Best Film BAFTA, the Brooklyn
Film 2015 could seem like waste typical large audience. On the contrary!
There is in fact much to commend in this room, its decorous sets its
resplendent cinematography. Yet the discerning viewer notices something
deeper and darker: ostensibly a film about an immigrant struggles of the
Irish working class in the 1950s in New York City, the film subverts the
dominant cultural narratives on gender, and strongly reveals the nature
Women for its ugly inner moorings.
In 1951, Eilis Lacey is an Irish cute girl looking, in vain, to find a good
job in County Wexford, Ireland. His only salaries come from working
part-time at the bakeshop Miss Kelly, cantankerous, old wench gossip of the
town. Yet Eilis has dreams of becoming a bookkeeper and decided, with the
support of the Catholic Church to move to Brooklyn, New York. There she
finds her work at a luxury Manhattan store, and also pays for his
accounting courses at a local college.
Eilis then falls to the beta-boy and Italian plumber, Tony Fiorello, who
declares his love for her before it; this, of course, is a game of cardinal
sin. Regardless, they marry, because although Tony is a beta version in the
room, it is an alpha world, with concrete plans for starting a business
residential building and buy Long Island property. Despite their happy
marriage, Eilis tell his family or friends avoids return to Ireland.
In July 1952 Eilis priest informs him that his sister died suddenly and
Eilis returns to Ireland without her husband to calm his weeping mother.
While she is back in the country, the economy has recovered, and Eilis gets
the job of part-time basis. She also began dating a local rich man, Jim
Farrell, ignoring the incessant letters from her husband. Eilis, with its
fairy eyes, wavy hair, and slim body, is what might be called a "solid 8"
and she realizes that she can easily get married, even if doing so would
make him a bigamist .
Yet Eilis dreams to settle in Ireland are quickly dashed into fragments
when his former employer, the grumpy old Miss Kelly, did Eilis sign as a
bakeshop for a private meeting. Miss Kelly informs climactic scene of the
film, Eilis she received word from New York that Eilis is actually Ms.
Fiorello.
This is done Eilis, roam around a local Irish boy like a whore? Eilis
storms out of the room, slamming the door, and sobs, realizing implicit
threat of Kelly: his reputation in the city, could be ruined.
The next day she packed and returned to New York to be with Tony never
return to Ireland.
Wanderlust heart
Eilis has atavistic female desire to aspire to better things. It seeks to
become a bookkeeper, a traditionally male field, and moves to New York to
wealth and, perhaps, access to superior men. Back home, she seems willing
to drop his Italian-American husband, Tony, for the promise of a rich Irish
heir.
This woman race, blindly seeking ambition, includes creatures contrary to
the natural law. Women are biologically self-centered and spiritually
reflective, fragile beings, who do not often try to usurp the work of men.
Return Of Kings warns against being too involved with the capricious kind
of girl, home of toxic feelings feminist and social justice. You will know
them by their stripes because they love to travel, fancy events, and be
proud to shame career men.
We belong to a time unlike any other, where all regulations that limit the
unbridled sexual market were eased. The Church is powerless to act, and
former implicitly endorse hedonistic desires. The difference is that
Brooklyn Eilis was unable to carry out his evil desires because the social
institutions of the 1950s have prevented from doing so.
The Church, the old witch, and the city
The Catholic Church still retains some vestiges of power in Ireland, which
is why the country continues to ban abortions. Incidentally, this may
change now that the Taoiseach (Prime Minister) is an Indian Millennial gay.
Anyway, the Church had much more power in the 1950s, and was able to assist
Irish immigrants as Eilis, as they made their way through the icy Atlantic.
Although the Catholic Church has been a significant force for good in
Brooklyn Eilis its influence is undeniably bad. The Church allows him to
pursue his dreams wobbly in New York, and pays for her to qualify in a male
profession. In this way, the Brooklyn church is similar to Western
governments today who opened their coffers wide for women to open their
legs. Needless to say, social programs and welfare of women were encouraged
to do wrong, replacing patriarchal, matriarchal husband with a personal,
impersonal state.
What prevents finally Eilis in its tracks is the community in a small Irish
town in the 1950s, even the smallest secrets are openly dished about,
encourage appropriate behavior. After all, one does not want to be known as
the town drunk, or worse, the slut of the city. Miss Kelly, who awakens
Eilis the reality of the immorality of the girl, is the archetypal old
witch literature & # 8211; this woman who keeps young women online.
Indeed, when Eilis lives in New York as a single girl, she lives in a house
with young women and an elderly landlady. The hostess imposes strict
discipline, prohibiting girls to have men call the evening. The importance
of older women in maintaining choices of young women has always been
recognized, but now of course, when such a role is dismissed
as "slut-shaming ', therefore confining withered old women in a state in
homes nursing.
One final point needs to be done on men: Tony is a beta male, but it's
financially smart and business savvy. Jim Farrell, Eilis small Irish rich
friend, is an alpha, but its wealth is inherited, and he has no skills in
the real world. The company at that time, young women motivated to marry a
stable man like Tony.
Conclusion
Is it surprising, then, that the globalist elite intends to sacrifice the
community so that they can attain power and wealth? Instead of gymnastics
clubs and knitting circles men women, now we have Facebook and Instagram,
which simply encourage narcissism and hyper-consumerist habits. Women sleep
with several men, leading to mental illness, while men refuse to marry,
knowing that divorce suggests slavery alimony.
Brooklyn Eilis is a warning to young women today, and perhaps its ghost
lives in all of us: that evil dangerous, ugly, wild man, squirming and
struggling to break away from heaven, a like the shadow of former Lucifer.
Read more: The true nature of woman hypergamy
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